I was ambivalent about Fray’s predecessor, Torn by Rowenna Miller, and I continue to be ambivalent about the Unraveled Kingdom series. I do think that Sophie is in an interesting position in the novel. As a small business owner who has pulled herself out of poverty and now is betrothed to the crown prince, she’s more than capable of rubbing elbows with all manner of folk, if not comfortably, than at least credibly. But I’m less enamored by Sophie’s burgher judginess and almost willful naivete when it comes to effecting change in the brutally unfair government she lives under. She continues to evince a sort of conservative (lower case c) cowardice that I find distasteful.
After the street violence of Torn, Fray opens on the eve of a reform vote. The government of Galitha seems to be a sort of constitutional monarchy, but more in line with 19th Century Russians than 18th Century English. (I don’t say 19th Century English, because Galitha is maybe only at the very beginning of an Industrial Revolution.) By which I mean, the nobility, who make up the governing body, are bloody brutal bastards. A labyrinthine bureaucracy has a stranglehold on most commerce, and both city workers and farm laborers are kept right on the edge of the most abject poverty. The country is a tinderbox, and the ruling class does not comprehend just how much danger there is of the whole thing erupting into very serious violence, despite being given a taste of the edge of that anger at the close of the last novel.
Sophie herself is in a precarious position. Though she began a love affair with the crown prince at the end of Torn, and they are engaged to be married, his family largely ignores her due to her ignoble birth and wrong ethnicity. (Sophie is a member of a persecuted minority, but this mostly feels like window dressing to me. The way it tends to come up is Sophie commenting to herself about her Otherness, and not in constant, casual microagressions in every interaction she has.) Though I did credit her several panic attacks about what marrying into the royal family will do to his standing — she is the type to offload her true anxieties onto other people — I had a hard time believing the royal family of this backwards country would do anything but work him over until he married someone “respectable”. I’m fairly sure that’s what happened between Charles and Diana, and that monarchy is only a figurehead.
Add in the fact that a distaff relative — who happens to be in a committed relationship with another woman — is being severely pressured to marry a man for political reasons, and the world begins to look like its bending to either the needs of the plot, or Sophie, or both. I am always willing to give some latitude for the sake of the story, so this isn’t a cardinal sin, but it could become one with time. Because the other problem is that Sophie regularly and almost compulsively puts the desires of her wealthy friends over her family, her people, and her neighborhood. Her brother — one of the leaders of the resistance — was denied entrance to the university due to class and race, and he has since poured his prodigious talent into tract-writing and rabble-rousing. He’s absolutely not wrong about anything he says about the injustice of the world.
Even though Sophie ostensibly understands what a raw deal he and most of people like them have been given, she’s constantly frustrated by his disquiet. When violence flairs up in the streets, she blames her brother despite the fact that social inequity is everywhere and that anger is *inevitable*. When the reform bill passes, and then Sophie and the crown prince slowly come to the realization that the nobility is slow-walking any true reformation, I was like, oh my god, OF COURSE that’s what they’re doing. Why is this a surprise? Your brother has always and ever been right, you just refuse to hear anything he has to say. Moreover, even the rich assholes pretty much told Sophie and the prince to their faces that they would cripple the reform. Her middle of the road whataboutism is infuriating. Sure, maybe your boyfriend is a good guy, but its clear to me, and everyone else in the country, that the ruling classes are ripe for having their heads separated from their necks.
But! Then the book will mess with Sophie her bougie preconceptions, so I end up being on the hook for more. I keep hoping for a big SYKE! turns out Sophie is a revolutionary! moment, but then the alternative might be more interesting: a portrait of someone, who, like the rest of us, worries about the news of babies in cages and hopes for incremental change, but can’t be arsed to actually do anything but worry. Shudder. That’s a horror story right there.